• Hey there! I'm a composer from Tucson, Arizona, based in New Haven, Connecticut. Depending on the day, I'm also a classical or jazz pianist, pipe or Hammond B-3 organist, choral singer, French horn player, electric bassist, or South Indian Karṇāṭak musician.

    At age five, I started making up my own music at the piano and never stopped. I spent five years in the Tucson Symphony Orchestra's Young Composers Project, during which time the symphony performed a piece I wrote at age 14. Since then, I have attended the Brevard, Bowdoin, and Norfolk summer music festivals.


    I recently graduated magna cum laude from Yale, winning the 2026 Richard B. Sewall Cup for "outstanding scholarly achievement and creative promise." Although I majored in Music, I also studied subjects including astronomy, cognitive science, linguistics, and philosophy, and used concepts in these fields to influence my music. For example, my piece Active Galactic Nuclei for orchestra and live projections was inspired by an astrophysics course I took on Einsteinian relativity and black holes. It went on to be premiered by the Boston Pops and win the 2025 Brevard Performance Prize. It has additionally been featured in the astronomy podcast Pale Blue Pod and praised by Yale University President Maurie McInnis.

    I am passionate about expanding the classical saxophone repertoire; my pieces Tunnel Vision and Hippocampus for sax quartet have received recognition from leading classical saxophonists across the country, and are published by Murphy Music Press. I plan to write more saxophone music over the coming year, including for the national competition-winning Synchrony Quartet.

    I have six toes on my left foot, which I use regularly to climb trees, and occasionally to walk 70 miles from New Haven to New York City (for fun).

  • Recent Performances

    Praise

    From the astrophysicist who invented the theory of Active Galactic Nuclei: "I was completely entranced … I hadn’t imagined that music could capture the dynamic environment of a black hole so beautifully. … The graphics you connected to the musical themes were just right.” - Meg Urry, Israel Munson Professor of Physics and Astronomy at Yale University

    From the Resident Composer at the Harvard & Smithsonian Center for Astrophysics and composer of Black Hole Symphony: “I enjoyed it very much. It's pleasing to hear of another composer discovering 'science music' and the rich possibilities for inspiration when disciplines collide. Your choice of animations, and the sharp edit points, made for a strong multisensory experience - black holes as harbingers of cosmic destruction.” - David Ibbett

    "It was so refreshing to hear a piece of new music where I found myself unconsciously humming the tune afterwards. Not only is it catchy, but it's well-conceived, well-structured, well-developed, evocative, quirky... I could go on and on." - Clancy Newman, winner of the International Naumburg Competition, on Duplicity